CURATORIAL PROJECTS - ANNA BRIERS
AN AOTEAROA NZ BASED CURATOR
Mel O’Callaghan First Sound, Last Sound, 2025. Installation view, Direct Bodily Empathy – Sensing Sound, Govett-Brewster Art Gallery | Len Lye Centre, 2025. performance, solid steel tuning forks, wooden resonance chamber, wooden, bronze and leather mallet. duration 20 minutes. Courtesy of the artist, Cassandra Bird Gallery, Sydney and Galerie Allen, Paris. Image: Cheska Brown
Mel O’Callaghan First Sound, Last Sound, 2025. Installation view, Direct Bodily Empathy – Sensing Sound, Govett-Brewster Art Gallery | Len Lye Centre, 2025. performance, solid steel tuning forks, wooden resonance chamber, wooden, bronze and leather mallet. duration 20 minutes. Courtesy of the artist, Cassandra Bird Gallery, Sydney and Galerie Allen, Paris. Image: Cheska Brown
Mel O’Callaghan First Sound, Last Sound, 2025. Installation view, Direct Bodily Empathy – Sensing Sound, Govett-Brewster Art Gallery | Len Lye Centre, 2025. performance, solid steel tuning forks, wooden resonance chamber, wooden, bronze and leather mallet. duration 20 minutes. Courtesy of the artist, Cassandra Bird Gallery, Sydney and Galerie Allen, Paris. Image: Cheska Brown
I acknowledge the Traditional Custodians of the lands on which I live and work, and pay my respects to Elders past, present and emerging.