CURATORIAL PROJECTS - ANNA BRIERS
AN AOTEAROA NEW ZEALAND BASED CURATOR
Mel O’Callaghan First Sound, Last Sound, 2025. Installation view, Direct Bodily Empathy – Sensing Sound, Govett-Brewster Art Gallery | Len Lye Centre, 2025. performance, solid steel tuning forks, wooden resonance chamber, wooden, bronze and leather mallet. duration 20 minutes. Courtesy of the artist, Cassandra Bird Gallery, Sydney and Galerie Allen, Paris. Image: Cheska Brown
Mel O’Callaghan First Sound, Last Sound, 2025. Installation view, Direct Bodily Empathy – Sensing Sound, Govett-Brewster Art Gallery | Len Lye Centre, 2025. performance, solid steel tuning forks, wooden resonance chamber, wooden, bronze and leather mallet. duration 20 minutes. Courtesy of the artist, Cassandra Bird Gallery, Sydney and Galerie Allen, Paris. Image: Cheska Brown
Mel O’Callaghan First Sound, Last Sound, 2025. Installation view, Direct Bodily Empathy – Sensing Sound, Govett-Brewster Art Gallery | Len Lye Centre, 2025. performance, solid steel tuning forks, wooden resonance chamber, wooden, bronze and leather mallet. duration 20 minutes. Courtesy of the artist, Cassandra Bird Gallery, Sydney and Galerie Allen, Paris. Image: Cheska Brown
I acknowledge and pay my respects to the eight iwi and hapū on whose whenua I am a guest in Ngāmotu,Taranaki